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CRYBABY
MULTI WAH
The
535Q is the Swiss Army knife of wah pedals. It provides
control over the most important wah parameters,
making it easy for you to create your ultimate wah
tone. Select the frequency center of the effect,
then dial in the frequency range to be swept by
the pedal. From narrow and sharp to broad and subtle,
this amazing wah can deliver it. Once you’ve
got your sound, make sure it gets heard with the
adjustable, switchable boost that can create endless
sustain on any note. This is the wah pedal of choice
for guitar master Joe Satriani.
Power: Single 9-volt battery or
Dunlop ECB-003 AC Adapter
Controls: Pedal sweeps 100K ohm
Hot Potz potentiometer, Effect on/hardwire bypass
switch at toe-down position of pedal travel, Adjustable
Volume Boost knob from 0 to +15dB, Adjustable “Q”
control modulates frequency breadth of effec, 6-position
knob selects frequency center of effect. |
535QC
CRYBABY MULTI WAH (535Q) CHROME £249.00
GCB535Q
CRYBABY MULTI WAH (535Q) BLACK £229.00
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CRYBABY
WAH WAH
We've taken the original Crybaby
and added the two most popular and requested upgrades
the famous Q Control, which varies the
intensity of the wah effect by adjusting the effect's
bypass shape, and the Volume Boost, for up to
15dB added gain to your output signal. The 95Q
is a flexible tone monster that retains the original
Crybaby's fast -reacting characteristics.
Controls:
Pedal sweeps 100K ohm Hot Potz potentiometer for
quick wah ramping Silent "auto-off"
switching automatically bypasses effect when foot
is off pedal Adjustable volume boost knob
up to +15dB, mounted on side Adjustable
"Q" control modulates frequency breadth
of effect, mounted on side. |
| 95Q
CRYBABY WAH-WAH BLACK £215.00
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ORIGINAL
CRYBABY WAH WAH
This is the original wah-wah pedal
used to create many classic rock sounds. Relied
on by Jimi Hendrix, Eric Clapton, Joe Satriani,
Buddy Guy, Slash, Kirk Hammett, Zakk Wylde and
many other greats. A fast-reacting effect for
unmistakable tone bending.
Controls:
Pedal sweeps 100K ohm Hot Potz potentiometer for
quick wah ramping Effect On/Bypass switch
at toe-down position of pedal travel. |
| GCB95
ORIGINAL CRYBABY WAH-WAH BLACK –
£142.00 |
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CRYBABY
BASS WAH
The
first wah-wah al designed by bass players for
bass players. Incorporates a new proprietary potentiometer
and custom EQ circuitry, specially optimised for
bass frequencies. Applies wah effects to midrange,
highs and overtones, while leaving a strong fundamental
to hold down the bottom. Used by Flea of Red Hot
Chili Peppers, Rex of Pantera, Danny Saber and
more.
Controls:
Pedal modulates sweep through wah effect, Silent
"auto-off" switching automatically bypasses
effect when foot is off pedal
Adjustable
volume boost knob, mounted on side
Adjustable
"Q" control modulates frequency breadth
of effect. |
| 105Q
CRYBABY BASS WAH WHITE £209.00 |
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HIGH
GAIN VOLUME
The gold standard of volume controllers.
Ideal for Pedal Steel or any playing where dynamic
volume aids expressiveness. Quiet operation and
heavy duty construction combine with an ultra-sensitive
1 million cycle taper potentiometer to allow the
most delicate control you've ever experienced.
Controls:
Pedal controls volume from none (up) to maximum
(down)
No
springs; stays in selected position until deliberately
moved. |
| GCB80
HIGH GAIN VOLUME BLACK £129.00 |
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EDDIE
VAN HALEN SIGNATURE WAH
The
EVH Wah Wah is the latest offering in the celebrated
EVH Signature Series, developed after
intensive design collaboration with the legendary
guitarist. Early on in the process, Eddie handed
over his “Holy Grail” Crybaby—a
standard Crybaby customized in the early Nineties
with a more
vocal-like, High Q inductor and a wider frequency
sweep. Amazingly, we found that over the years
Eddie’s unique wah style, which uses mostly
the middle range of the pedal’s action, had
carved his
own curve into the pot’s resistive element,
making the middle range even more defined and increased
the low-end sweep. Our clones of the worn-in pot
and hand-selected inductor give the new EVH
Wah Wah the same “Holy Grail” feel and
tone, and its true hardwire bypass, dual bright
blue bypass
LEDs, and graphics based on the black and yellowstriped
guitar featured on Van Halen II round out
this EVH-approved Crybaby with a voice and look
all its own. |
EVHWAH
EDDIE VAN HALEN SIGNATURE WAH £279.00 |
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BUDDY
GUY SIGNATURE WAH
Cited
as a major influence by wah-wah masters such as
Hendrix, Clapton, and Vaughn—Buddy Guy helped
establish the wah-wah as part of the blues vocabulary.
To honor his contributions we have created the Crybaby
Buddy Guy Signature Wah, featuring the Fasel Inductor
for a sweet and singing top end, and two distinct
user selectable wah voices—choose “DEEP”
for a big and throaty growl, or “BG”
for Buddy’s own warm and bell-like wah tone.
Convenient side-mounted LEDs indicate which mode
you are in, while a separate LED indicates effect
on/off. Let your guitar sing the blues in style
with the Buddy-approved polka dot graphics and custom
signature tread. The Crybaby Buddy Guy Signature
Wah—available only from Dunlop Manufacturing,
the world’s leader in wah pedal technology. |
BG95
BUDDY GUY SIGNATURE CRYBABY WAH £339.00 |
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DIMEBAG
DARRELL SIGNATURE
CRYBABY FROM HELL
Dimebag Darrell, the late and extremely fearsome
fretmelter with US speed metallers Damageplan
and Pantera, was pleased to be honoured with his
own signature crybaby pedal from Jim Dunlop
the Dimebag Darrell Signature Crybaby® From
Hell. With its eye-catching camouflage finish
and unique CFH emblem on the footplate
(after Dimes Cowboys From Hell
tattoo on his shoulder) this pedal is as recognisable
as Dimebag himself was.
Its
what Id call a hot-rodded wah, he
reckoned, Its pretty tricked out,
with an extended sweep so you can go more high-endy
sounding (pedal down) and deeper (pedal up) too.
Theres a 5-way selector on the side so you
can pick what frequency youre gonna play
within. Theres a kick-in boost, and the
LED status indicators are at the back instead
of the front. Its got skateboard tape on
it instead of rubber, so that when youve
got beer on your feet, you wont slip off
it.
Retailing
at just over £200, there are dual out jacks
(with a second output jack function) and adjustable
everything, including volume boost, Q
modulation frequency, and 'fine tune' ability
over toe-down sweep range. Its a happening,
all-purpose wah for sure. Im real
proud of the CFH, Dimebag said. It
sounds bad-assed and it looks bad-assed!
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DB01
DIMEBAG SIGNATURE CRYBABY WAH £279.00 |
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SLASH
CRYBABY WAH
Like
the man himself, the new Slash Wah from Dunlop
is both revolutionary and classic, right down
to its hot rod metallic red finish and cutting
edge circuit design. Now you can have all the
features and screaming tone of Slash's very own
custom wah pedal—a tool as essential to
the hard rock icon's style as his Les Paul and
Marshall amp. The Slash Wah deploys searing high
gain distortion circuitry either before or after
the wah circuit, so you can get two very different
and distinctive sounds. It features the heralded
Fasel Inductor for a sweet, singing top end, and
is modified to Slash's own specs for more upper
midrange bite and sparkle. Internal EQ controls
for treble, midrange and bass let you customize
your wah tone, and 18-volt operation yields tons
of extra headroom. Convenient LEDs indicate distortion
on/off and wah on/off modes, so there's no more
guessing game every time you put your foot down.
And with the batteries readily accessible from
the top of the rocker pedal, you don't have to
fumble with a screwdriver when its time to re-power.
So get your boot on a Dunlop Slash Wah. Top hat
not included.
• High gain distortion circuit—placed
before or after the wah circuit to get two distinctive
sounds
• LEDs to indicate distortion on/off and
wah-wah on/off modes
• Tuned to Slash’s specs for more
upper midrange focus and sparkle
• 18-Volt operation to add more headroom
and clarity
• Features the heralded Fasel Inductor for
a sweet and singing top end
• Internal EQ controls for treble, midrange,
and bass to customize your wah tone
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SW95
SLASH CRYBABY WAH £279.00 |
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CRYBABY
ZAKK WYLDE SIGNATURE
WAH
Guitarist
Zakk Wylde, famous for his highly distinctive,
no-compromise guitar work with the metalmeister
himself, Ozzy Osbourne and his (Zakk’s)
own band, Black Label Society, has once again
added some more pedal power for all fans of his
monster sound.
Zakk’s signature MXR Wylde Overdrive pedal
which was launched early last year looked great
with Zakk’s unmistakeable ‘bullseye’
design. One other pedal which is never out of
Zakk’s guitar effects pedalboard is a Crybaby
wah wah. So once again, Zakk has joined forces
with the Jim Dunlop concern to deliver the toughest,
meanest Crybaby wah pedal on the planet –
the Zakk Wylde Signature Wah!
Built from the ground up with great tone and rugged
durability in mind, the Wylde Wah pedal can stand
up to the crushing stomp of metal’s reigning
king of lead guitar.
Like Zakk, the Wylde Wah is instantly recognisable
and features a heavy duty, burnished raw metal
casing and contains only totally roadworthy components
designed to withstand years of ass-kicking abuse!
The guts of Zakk’s wah have been finely
tuned to the man’s exacting specifications,
specially voiced to deliver an extra thick and
cutting tone. The single-Q pedal sweeps a truly
tone-mungous100K Ohm Hotz Potz potentiometer,
with the Effect On/Bypass toggle switch located
at the bottom of the pedal’s travel, in
true Crybaby fashion.
Best of all, like Zakk’s MXR Wylde Overdrive,
the Wylde Wah won’t have you digging too
deep in the old pockets for a major slice of wild
Zakk wah tone.
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ZW45
CRYBABY ZAKK WYLDE SIGNATURE WAH £179.00 |
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KIRK
HAMMETT SIGNATURE WAH
Now you can command the same killer wah tone as
Kirk with the new Kirk Hammett Signature Wah. Developed
in close collaboration with the metal guitar icon
himself, it has been meticulously tuned and tweaked
to deliver the wah-wah sound that revolutionized
metal solos in the '80s and for all time to come.
This is the legendary tone that Kirk dials in on
tour, using his DCR1SR Crybaby Rack Wah.
Dunlop's engineers took Kirk's EQ, volume and tone
settings – reflecting decades of blazing Crybaby
riffology – and reproduced them with exacting
precision. The Kirk Hammett Wah is exceptionally
even in response as you move from heel to toe, with
a thick top end and full dynamic range. Dare to
step into the footprint of a giant. Own a piece
of the legend: the Kirk Hammett Signature Wah from
Dunlop. |
KH95
KIRK HAMMETT SIGNATURE WAH £259.00 |
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JERRY
CANTRELL SIGNATURE WAH
One of the most influential guitarists to come out
of the Seattle rock scene, Jerry Cantrell’s
epic riffs and searing tone have been the driving
force behind Alice in Chains since the late 80’s.
His melancholy wah-drenched melodies in modern classics
like “Man in the Box” and “The
Rooster” left an indelible mark on a generation
of guitarists. Jerry favored wah-wahs with a wider,
darker response, and Dunlop has painstakingly replicated
that moody sound to create his signature pedal.
It’s custom-voiced for a tight, punchy heel-down
tone and a rugged side-control knob lets you fine
tune the toe-down frequency. And with its antique,
oxidized “road worn” brass casting and
custom Alice in Chains tread, this is one pedal
that looks as great as it sounds. |
JC95
JERRY CANTRELL SIGNATURE WAH £209.00 |
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JIMI
HENDRIX™ SIGNATURE WAH
The
wah-wah pedal was just invented when Hendrix burst
on the scene in 1967. And to this day, few players’
names are more synonymous with killer wah leads
and wicked, wah-driven syncopated rhythms. The
wah pedal that Hendrix used was a 60s design by
the Thomas Organ Company and manufactured by JEN
in Italy. This is the unmistakable wah tone heard
on Hendrix classics like “Up From the Sky,”
“Voodoo Child (Slight Return),” “Little
Miss Lover” and “Still Raining, Still
Dreaming.”
The Jimi Hendrix Signature Wah reproduces these
timbres, and more, with startling accuracy. Throaty
and expressive, it will fire your imagination.
The vintage classic look is 100% authentic too,
with a flashy chrome top and sleek black Italian
crinkle finish aluminum body. From its eye-catching
look to its mind-bending sound, everything about
this wah just screams Hendrix.
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| JH1B
JIMI HENDRIX™ SIGNATURE WAH £189.00 |
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JIMI
HENDRIX™ OCTAVIO PEDAL
A
true Rock N’ Roll artifact—Hendrix’s
chipped, off-white, “cheese wedge”
pedal with hand stenciled lettering—is enshrined
at the Experience Music Project, Seattle’s
hallowed rock and roll museum. Jimi’s original
octave dividers don’t look like much, but
these magic boxes produced the unforgettable fuzzed-out
octave tones heard on the legendary Band of Gypsys:
Live at Fillmore East performance.
Recently a team of Dunlop engineers made a pilgrimage
to Seattle to examine and document an original
Octavio—the holy grail of octave tone. They
measured and scoped with loving care. The result?
The Dunlop Jimi Hendrix Octavio is an exact clone
of the amazing “octave up” pedal that
Jimi used to make rock history. It’s all
here: every knob and jack, a DPDT on/off switch,
and the exact same circuit layout faithfully copied
from the original “breadboard,” front-panel
controls which let you dial in just the right
amount of fuzz and adjust overall level. Own a
little piece of Jimi—the Dunlop Jimi Hendrix
Octavio.
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| JHOC1
JIMI HENDRIX™ OCTAVIO PEDAL £239.00 |
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JIMI
HENDRIX™ FUZZFACE PEDAL
Hendrix
was the master of fuzz — an artist with
many subtle shadings at his command. His love
affair with the legendary Fuzz Face pedal began
in the early days of the Experience and continued
to evolve throughout his brief but blazing career.
The Dunlop Jimi Hendrix Fuzz Face is a meticulously
faithful reproduction of the 1969-70 Dallas Arbiter
Fuzz Face that Jimi used on classic albums like
Band of Gypsys. Dunlop’s engineering department
examined hoards of vintage Fuzz Faces, honing
in on a few units which possessed that unmistakable
Jimi voodoo. The Hendrix Fuzz Face is built around
the toneful BC108 silicon transistor. It is authentic
in every detail, down to its hand wired brown
circuit board with circuitry carefully matched
to the original specs. The look is 100% accurate
too — that groovy circular chassis with
tooled clones of the original Fuzz Face knobs
in the rare and vintage turquoise hammertone finish.
A truly playable collectable for any Hendrix or
Fuzz Face fanatic.
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| JHF1
JIMI HENDRIX™ FUZZ FACE £239.00 |
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Visit the Way Huge Website
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AQUA
PUSS ANALOG DELAY
The Aqua-Puss
MkII is making its triumphant return, ready to bathe
a tone-thirsty world in gorgeously smooth delay. One
twist of the Delay knob takes you from a tight 20ms
delay to a cavernous 300ms. The Feedback control regulates
delay duration and intensity. But watch out. Extreme
settings can send the Aqua-Puss MkII into self-oscillating
psycho-freak-out mode! Meanwhile the Blend knob lets
you set a balance between dry and delayed signal—from
mild to wild. The Aqua-Puss MkII delivers all the spooky
mystery of vintage analog delay and tape-based echo,
with none of the hassle of creaky, ancient gear.
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WHE701
AQUA PUSS ANALOG DELAY PEDAL £199.00 |
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SWOLLEN
PICKLE JUMBO FUZZ
The
most sought after and corpulent Way Huge pedal is back!
The Swollen Pickle MkII surrenders super high-gain fuzz
with copious amounts of smooth low-end to all who dare
plug into it. With a twist of the Sustain control, you’re
taken from mild crunch to Armageddon! The Filter control
retains its trademark insane range of heavily band-pass-filtered
tones, distinguished by remarkable girth and sizzle,
and the Loudness puts out enough volume to clobber any
amp! Newly added features include a tone stack Scoop
control that elicits classic Swollen Pickle mid-scoop
or a flat mid-frequency sweep, and a Crunch knob to
adjust the compression intensity of the fuzz.
Finally,
under the hood, the Swollen Pickle MkII has two internal
mini controls; Voice sets the intensity of the external
scoop control from light to heavy mid cut, and Clip
varies between two sets of clipping diodes for smooth
or opened fuzz sustain. A charter member of the Way
Huge line has returned, and just like when it debuted
in 1997, it still has “more fuzz than a moldy
peach!” |
WHE401
SWOLLEN PICKLE MkII JUMBO FUZZ PEDAL £234.00 |
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FAT
SANDWICH HARMONIC SATURATOR
The
Fat Sandwich represents a new era in pedal design for
Way Huge. In addition to carrying on the Way Huge tradition
of amazing tone, rugged construction and cool names, the
Fat Sandwich delivers heaps of crunchy distortion goodness
via its innovative multi-stage clipping circuit. Meticulously
designed from the ground up, the passive tone stack was
tuned to bring out the “sweet spot” with any
guitar and amp combination. The Volume control produces
tons of output, making it ideal for driving the headroom
out of the most powerful tube amps. Additionally, the
Fat Sandwich has two internal mini controls: the Curve
knob lets the user fine-tune the corner frequency of the
overdrive filtering and the Sustain control adjusts the
gain of the final distortion stage. The Fat Sandwich is
versatile and over the top – the consummate distortion
pedal for any genre or playing style. |
WHE301
FAT SANDWICH HARMONIC SATURATOR DISTORTION PEDAL
£259.00 |
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| PORK
LOIN SOFT CLIP INJECTION
Make
room for one more Way Huge original! The Pork Loin incorporates
two distinct tonal pathways that are blended together
– a modern soft clipping overdrive and a modified
classic British preamp for clean. At the heart of the
Pork Loin’s overdrive path is a soft clipped BiFET
overdrive gain stage with a passive Tone control, rounded
out by a Curve function that gives the user freedom
to fine-tune corner frequencies. The Volume control
regulates the masses of pork power that exude from its
space age circuitry, leaving room for the Clean control
to blend in its warm glistening clean tones.
Additionally, the Pork Loin has three internal mini
controls: Filter and Voice deliver extensive tonal shaping
possibilities, while the overdrive Mix control allows
the Pork Loin to be run as a clean preamp. With a wide
range of dynamic tones from supple and clear to warm
and punchy, the Pork Loin’s amazing features make
it the premier overdrive pedal on the market today! |
WHE201
PORK LOIN SOFT CLIP INJECTION OVERDRIVE PEDAL
£249.00 |
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Uni-Vibe
Pedal & Foot Controller
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| UNI-VIBE
FOOT CONTROLLER
This
classic Uni-Vibe foot control pedal lets you transfer
the Speed and Effect Bypass functions from the main
unit to your foot. With delicate, real time control,
you can modulate either the Chorus or Vibrato effects
to suit the mood of your music. Uses heavy die-cast
zinc housing, high quality connectors and a 10 million
cycle industrial grade microswitch for silent, reliable
operation.
Controls:
Pedal position all the way back (heel) sets the Uni-Vibe
to Bypass (no effect) Pedal positions forward
(toe) modulate the Speed function of the Uni-Vibe,
with speed increasing as the pedal is pressed down. |
| UV1FC
UNI-VIBE FOOT CONTROLLER BLACK £139.00 |
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FUZZ
FACE
The
original Fuzz Face, as created by Dallas-Arbiter of
Great Britain. Ruggedly constructed to the vintage
specs, with the original Germanium PNP transistor
design. This is the classic fuzz box used by Jimi
Hendrix and other legendary rockers of the 60's and
70's.
Controls:
Footswitch toggles effect On/Bypass Volume
knob controls total output gain Fuzz knob controls
intensity (depth) of fuzz tone.
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| JHF2
FUZZ FACE RED £189.00 |
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| VOLUME
PEDAL
Control your volume levels with exacting
precision with the new Dunlop Volume Pedal. The Dunlop
Volume Pedal features a patent pending Steel Band Drive
that creates a low-friction environment with no strings
or ratchet gears attached - allowing you to achieve
thick, luscious volume swells in one smooth motion without
the fear of breaking. With fully adjustable tension
and high-quality low-noise electronic components, the
sound is as clean and transparent as the feel is smooth.
Housed in a lightweight but durable aluminum chassis,
the pedal features a rocker pedal that is slightly curved
for ergonomics, with an aggressive non-slip tread that
keeps your foot firmly in place. Great features, smooth,
hassle-free performance and crystalline tone make the
Dunlop Volume Pedal the smart choice for every musician. |
| DVP1
DUNLOP VOLUME PEDAL £135.00 |
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HEIL
TALK BOX
You've heard this famous effect in hits and live concerts,
popularised by Peter Frampton, Joe Walsh, Slash, Aerosmith,
Alice In Chains and others. The sturdy metal casing
houses a phenolic diaphragm speaker, powered by your
amplifiers external speaker jack. (Place it in line
with your external, speaker, which can remain connected).
A
6 1/2 foot surgical tube carries the diaphragm speakers
sound to your mouth. The tube end is placed near a
voice microphone. By shaping sounds (or even "words")
with your mouth, you immediately achieve startling
vocal-like sounds that you can manipulate into incredible
organic tones. The effect's blended signal is the
output of your voice microphone.
Controls:
Footswitch toggles unit active/inactive Surgical
quality plastic tubing allows natural "voice"
modulation of played notes.
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| HT1
HEIL TALKBOX BLACK £289.00 |
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MULTI
POWER SUPPLY
The
DC-Brick from Jim Dunlop is the most reliable and
consistent way to power your effects board. Itll
power ALL your effects from one central source and
is powerful enough to juice up ALL your pedals and
stomp boxes. Forget the growing collection of unsightly
wall plugs and piles of dead batteries ready for the
landfill site...The Brick powers up to TEN effects
at once. Its ready for your world tour too,
because it accepts nearly any source of incoming AC
power, from 100 to 240 volts, at 47 to 63 Hz. Just
change the adapter plug (sold separately) for the
country youre in, and rock on. We even throw
in a whole slew of leads to connect your effects,
including two extra pin-type connectors for old MXRs
and other vintage effects.
Its got seven 9V and three 18V outputs, and
you can use them all simultaneously without fear of
overload or overheating. With an output capacity of
1000 milliamps, youve got power to spare. Hey,
batteries are nice, but the Brick kicks the Bunnys
butt with consistent, regulated voltage at all times.
More than a power supply, this box is a power conditioner
as well, and the Box supplies predictable voltage
at all times, keeping your effects sounding consistent
every time you use them.
Plus, the Bricks unique FCLF (Foldback Current
Limiting Circuit) provides ultimate protection against
power shorts and overloads. Even at full load, youll
enjoy the quiet and cool operation of a fully regulated
power supply.
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| DCB1
DC BRICK MULTI POWER SUPPLY BLACK £179.00 |
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DPB
DUNLOP PEDAL BOARD WITH HEADPHONE
AMP
Free up your sales staff, dress up
your store, and become a destination spot for customers
in search of the best pedals on the market. The
top panel of the Dunlop Soundcheck Pedalboard displays
an assortment of MXR, Authentic Analog Hendrix,
and Dunlop Electronics, while the bottom panel is
home for up to five Crybaby pedals. The Dunlop Pedal
Flipchart presents sample settings so the customer
can quickly and easily hear each pedal at its best,
and the optional CSP-009 Headphone Amp will demonstrate
the full range and dynamics of our effects without
disturbing other customers. For smaller stores or
bass specialty shops, the Dunlop Soundcheck Pedalboard
can be reconfigured into a single tier version.
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TRADE ONLY |
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All products contained
within the JHS website are available throughout the United Kingdom
and Eire from all good music stores.
Please
note, as trade only distributors we do not sell direct to the general
public.
Specifications,
colours and pricing are subject to change without prior notice.
Please
contact your local music store. If
you experience any difficulty in obtaining the products you require
please contact us at webinfo@jhs.co.uk
Please include your name, address and postcode.
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