CRYBABY WAH WAH
We've taken the original Crybaby and added the two most popular and requested upgrades – the famous Q Control, which varies the intensity of the wah effect by adjusting the effect's bypass shape, and the Volume Boost, for up to 15dB added gain to your output signal. The 95Q is a flexible tone monster that retains the original Crybaby's fast -reacting characteristics.

Controls: Pedal sweeps 100K ohm Hot Potz potentiometer for quick wah ramping • Silent "auto-off" switching automatically bypasses effect when foot is off pedal • Adjustable volume boost knob up to +15dB, mounted on side • Adjustable "Q" control modulates frequency breadth of effect, mounted on side.

ORIGINAL CRYBABY WAH WAH
This is the original wah-wah pedal used to create many classic rock sounds. Relied on by Jimi Hendrix, Eric Clapton, Joe Satriani, Buddy Guy, Slash, Kirk Hammett, Zakk Wylde and many other greats. A fast-reacting effect for unmistakable tone bending.

Controls: Pedal sweeps 100K ohm Hot Potz potentiometer for quick wah ramping • Effect On/Bypass switch at toe-down position of pedal travel.

CRYBABY BASS WAH
The first wah-wah al designed by bass players for bass players. Incorporates a new proprietary potentiometer and custom EQ circuitry, specially optimised for bass frequencies. Applies wah effects to midrange, highs and overtones, while leaving a strong fundamental to hold down the bottom. Used by Flea of Red Hot Chili Peppers, Rex of Pantera, Danny Saber and more.

Controls: Pedal modulates sweep through wah effect, Silent "auto-off" switching automatically bypasses effect when foot is off pedal • Adjustable volume boost knob, mounted on side • Adjustable "Q" control modulates frequency breadth of effect.

MISTER CRYBABY SUPER VOLUME WAH
This 'two-in-one' pedal allows silent transition from both Crybaby and volume modes.

Features: 16 dB foot adjustable boost for easy transition from rhythm to lead, a volume controller allowing full attenuation of signal, and high reliability switching for extended life. Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter Controls: Pedal sweeps 100K ohm Hot Potz potentiometer • Effect on/bypass toggle switch at bottom of pedal travel.

HIGH GAIN VOLUME
The gold standard of volume controllers. Ideal for Pedal Steel or any playing where dynamic volume aids expressiveness. Quiet operation and heavy duty construction combine with an ultra-sensitive 1 million cycle taper potentiometer to allow the most delicate control you've ever experienced.

Controls: Pedal controls volume from none (up) to maximum (down)
• No springs; stays in selected position until deliberately moved.

DIMEBAG DARRELL SIGNATURE
CRYBABY FROM HELL
Dimebag Darrell, the late and extremely fearsome fretmelter with US speed metallers Damageplan and Pantera, was pleased to be honoured with his own signature crybaby pedal from Jim Dunlop – the Dimebag Darrell Signature Crybaby® From Hell. With its eye-catching camouflage finish and unique ‘CFH’ emblem on the footplate (after Dime’s ‘Cowboys From Hell’ tattoo on his shoulder) this pedal is as recognisable as Dimebag himself was.

“It’s what I’d call a hot-rodded wah,” he reckoned, “It’s pretty tricked out, with an extended sweep so you can go more high-endy sounding (pedal down) and deeper (pedal up) too. There’s a 5-way selector on the side so you can pick what frequency you’re gonna play within. There’s a kick-in boost, and the LED status indicators are at the back instead of the front. It’s got skateboard tape on it instead of rubber, so that when you’ve got beer on your feet, you won’t slip off it.”

Retailing at just over £200, there are dual out jacks (with a second output jack function) and adjustable everything, including volume boost, ‘Q’ modulation frequency, and 'fine tune' ability over toe-down sweep range. It’s a happening, all-purpose wah for sure. “I’m real proud of the CFH,” Dimebag said. “It sounds bad-assed and it looks bad-assed!”

SLASH CRYBABY WAH
Like the man himself, the new Slash Wah from Dunlop is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. Now you can have all the features and screaming tone of Slash's very own custom wah pedal—a tool as essential to the hard rock icon's style as his Les Paul and Marshall amp. The Slash Wah deploys searing high gain distortion circuitry either before or after the wah circuit, so you can get two very different and distinctive sounds. It features the heralded Fasel Inductor for a sweet, singing top end, and is modified to Slash's own specs for more upper midrange bite and sparkle. Internal EQ controls for treble, midrange and bass let you customize your wah tone, and 18-volt operation yields tons of extra headroom. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down. And with the batteries readily accessible from the top of the rocker pedal, you don't have to fumble with a screwdriver when its time to re-power. So get your boot on a Dunlop Slash Wah. Top hat not included.
• High gain distortion circuit—placed before or after the wah circuit to get two distinctive sounds
• LEDs to indicate distortion on/off and wah-wah on/off modes
• Tuned to Slash’s specs for more upper midrange focus and sparkle
• 18-Volt operation to add more headroom and clarity
• Features the heralded Fasel Inductor for a sweet and singing top end
• Internal EQ controls for treble, midrange, and bass to customize your wah tone

CRYBABY ZAKK WYLDE SIGNATURE WAH
Guitarist Zakk Wylde, famous for his highly distinctive, no-compromise guitar work with the metalmeister himself, Ozzy Osbourne and his (Zakk’s) own band, Black Label Society, has once again added some more pedal power for all fans of his monster sound.
Zakk’s signature MXR Wylde Overdrive pedal which was launched early last year looked great with Zakk’s unmistakeable ‘bullseye’ design. One other pedal which is never out of Zakk’s guitar effects pedalboard is a Crybaby wah wah. So once again, Zakk has joined forces with the Jim Dunlop concern to deliver the toughest, meanest Crybaby wah pedal on the planet – the Zakk Wylde Signature Wah!
Built from the ground up with great tone and rugged durability in mind, the Wylde Wah pedal can stand up to the crushing stomp of metal’s reigning king of lead guitar.
Like Zakk, the Wylde Wah is instantly recognisable and features a heavy duty, burnished raw metal casing and contains only totally roadworthy components designed to withstand years of ass-kicking abuse!
The guts of Zakk’s wah have been finely tuned to the man’s exacting specifications, specially voiced to deliver an extra thick and cutting tone. The single-Q pedal sweeps a truly tone-mungous100K Ohm Hotz Potz potentiometer, with the Effect On/Bypass toggle switch located at the bottom of the pedal’s travel, in true Crybaby fashion.
Best of all, like Zakk’s MXR Wylde Overdrive, the Wylde Wah won’t have you digging too deep in the old pockets for a major slice of wild Zakk wah tone.

CRYBABY ZAKK WYLDE SIGNATURE WAH
Includes: Replacement bottom plate with battery access, Battery door, 4 replacement rubber feet and screws.

JIMI HENDRIX™ SIGNATURE WAH
The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day, few players’ names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like “Up From the Sky,” “Voodoo Child (Slight Return),” “Little Miss Lover” and “Still Raining, Still Dreaming.”
The Jimi Hendrix Signature Wah reproduces these timbres, and more, with startling accuracy. Throaty and expressive, it will fire your imagination. The vintage classic look is 100% authentic too, with a flashy chrome top and sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound, everything about this wah just screams Hendrix.

JIMI HENDRIX™ OCTAVIO PEDAL
A true Rock N’ Roll artifact—Hendrix’s chipped, off-white, “cheese wedge” pedal with hand stenciled lettering—is enshrined at the Experience Music Project, Seattle’s hallowed rock and roll museum. Jimi’s original octave dividers don’t look like much, but these magic boxes produced the unforgettable fuzzed-out octave tones heard on the legendary Band of Gypsys: Live at Fillmore East performance.
Recently a team of Dunlop engineers made a pilgrimage to Seattle to examine and document an original Octavio—the holy grail of octave tone. They measured and scoped with loving care. The result? The Dunlop Jimi Hendrix Octavio is an exact clone of the amazing “octave up” pedal that Jimi used to make rock history. It’s all here: every knob and jack, a DPDT on/off switch, and the exact same circuit layout faithfully copied from the original “breadboard,” front-panel controls which let you dial in just the right amount of fuzz and adjust overall level. Own a little piece of Jimi—the Dunlop Jimi Hendrix Octavio.

JIMI HENDRIX™ OCTAVIO PEDAL
Hendrix was the master of fuzz — an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his brief but blazing career. The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys. Dunlop’s engineering department examined hoards of vintage Fuzz Faces, honing in on a few units which possessed that unmistakable Jimi voodoo. The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail, down to its hand wired brown circuit board with circuitry carefully matched to the original specs. The look is 100% accurate too — that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish. A truly playable collectable for any Hendrix or Fuzz Face fanatic.

JIMI HENDRIX™ WAH WAH PEDAL
The original 60's design wah-wah pedal, with modified circuitry to deliver fatter, more open sound by lowering the effect's frequency range. Heavy duty die cast construction and premium electronics assure long life.

Controls: Pedal sweeps 100K ohm Hot Potz potentiometer for quick wah ramping • Effect On/Bypass toggle switch at bottom of pedal travel.

JIMI HENDRIX™ WAH FUZZ PEDAL
Not JUST a two in one pedal... this combines the unique Jimi Hendrix versions of our classic wah-wah and fuzz tones into one. Use either effect alone, or both simultaneously. Since the fuzz effect can be assigned before or after wah, this pedal actually delivers FOUR combinations of brain-warping effects, all with sensitive pedal modulation.

Controls: Pedal modulates sweep through either wah effect (wah mode); intensity of distortion effect (fuzz mode); or combined wah/fuzz effects (both modes) • Toggle switch at toe-down position of pedal travel selects wah mode, fuzz mode, both or none (bypass) • Fuzz preset switch assigns fuzz effect before or after wah (impacting pedal expressiveness), mounted on side • Adjustable preset volume boost knob from 0 to +16dB, mounted on side, Red LED indicated fuzz mode; green LED indicates wah; both indicates both mode • Volume Boost On/Off switch, mounted on side.

JIMI HENDRIX™ OCTAVE FUZZ PEDAL
In addition to the classic fuzz tone, this stomp box synthesizes pitches an octave above notes played, and delivers them to the mix. A Tone knob adjusts the effect from subtle to screaming. You've already heard this unique tonal edge on many of Jimi's solos.

Controls: Footswitch toggles effect On/Bypass (red LED indicates on) • Volume knob allows balancing when effect is added to signal • Tone knob adjusts brilliance and intensity of effects.