When
it comes to effects, pedals and stomp boxes
are the professional's choice. Multi-effect
processors are fun to play with, but have you
ever noticed how few of them make it on stage?
Pros
prefer dedicated pedals because they know they'll
get the cleanest and strongest effects that
way.
Dunlop's
collection of pedals, stomp boxes and electronics
are the units that DEFINED the sounds. When
others speak about their clone pedals and multi-effects
processors, they'll tell you how much they sound
"like" ours. Save time. Buy the best
first, and you won't have to replace it later.
EDDIE
VAN HALEN FLANGER PEDAL
Dunlop
has once again partnered with living
legend Edward Van Halen to present
a new spin on a classic tone. Everyone
knows that it was the MXR Flanger
that powered the timeless Van Halen
tunes “Unchained” and
“And the Cradle Will Rock.”
Now you can grab a piece of that world-class
tone with the new MXR EVH 117 Flanger.
This amazing stompbox features the
same bucket-brigade technology that
provided the sweeping, whooshing magic
of the original. But we didn’t
stop there. We’ve also added
the EVH Switch, which instantly calls
up Eddie’s “Unchained”
sound with the exact same Manual,
Speed, Width, and Regeneration settings
that he used to get one of the greatest
guitar tones of all time. If that’s
not cool enough, we painted the EVH
Flanger with the rocking striped graphics
that started a revolution. Get the
MXR EVH 117 Flanger and hit the ground
running.
• EVH Switch activates preset
Manual, Speed, Width, and Regeneration
settings for instant “Unchained”
tone
• Original bucket brigade design
for classic analog flanging
• Indestructible die-cast housing
in EVH-approved striped graphics
EDDIE
VAN HALEN PHASE SHIFTER PEDAL
Edward
Van Halen earned his spot in the guitar
tone hall of fame with the first note
on his debut album in 1978. The guitar
work on that album still boggles minds
more than 25 years later. The tones
that EVH got on that classic record
are among the greatest ever, and a huge
part of Eddie‘s guitar sound has
always been the MXR Phase 90. The Phase
90 contributed to the unbelievable tones
on "Eruption," "Ain't
Talkin' 'Bout Love," "On Fire,"
and "Atomic Punk," plus many
other timeless Van Halen tracks. Now
you can grab a piece of Eddie's magic
with the new MXR EVH 90—a collaboration
between Eddie Van Halen and Dunlop Manufacturing
that represents a totally redesigned,
updated version of the legendary Phase
90. The EVH 90 will give you the same
great spacey swirls and hypnotic warbles
that made the Phase 90 famous. But the
EVH 90 also features the all-new Script
switch that lets you instantly toggle
between a vintage, "Script Logo"
phase tone and a more modern, in-your-face
"Block Logo" phaser. Plus,
the EVH 90 sports the greatest graphics
in the history of rock: the red, white,
and black stripes from Eddie's legendary
Frankenstein guitar. Oh yeah—it's
also got a bitchin' new blue LED. Now,
how cool is that? Power: Single 9-volt
battery or Dunlop ECB-003 AC Adapter.
ZAKK
WYLDE BERSERKER OVERDRIVE PEDAL
Whether
on his groundbreaking work with the
Godfather Of Metal, Ozzy Osbourne,
or with his own band, Black Label
Society, Zakk Wylde’s guitar
playing is loud tough and relentless.
Zakk’s take-no-prisoners attitude
extends to his quest for tone, too.
When he wanted to develop his signature
overdrive pedal, he got in touch with
effects pedalmeisters, Jim Dunlop,
and the result is the new Wylde Overdrive.
This muscular stompbox will turn your
clean amp into a heavy, chunky, crunch
machine! Or, use it like Zakk does
and kick it in front of a dirty amp
sound for a screaming, sustaining
lead tone.
Three
simple controls – Output,
Tone and Drive – make getting
the sound happening easy, and you
can concentrate on the business
at hand. Zakk describes it best
himself – “Kicking major
ass...”
ZAKK
WYLDE STEREO CHORUS PEDAL
The
new MXR Black Label Chorus is Zakk’s
secret weapon to thicken up his wall
of distortion and add liquid dimension
and texture to clean passages. At
the heart of the Black Label Chorus
is it's bucket brigade circuitry—the
only way to get truly rich and warm
analog chorusing. Its vintage style
tones are dialed in by High and Low
cut filters and Level, Rate and Depth
controls. For the ultimate in spatial
chorusing, hook up two amps via the
two outputs for a wide and sweeping
stereo spread. Like all MXR pedals,
the Black Label Chorus comes in a
heavy-duty housing with durable jacks
and switches for a lifetime on the
road.
WYLDE PHASE PEDAL
Zakk
Wylde uses the Wylde Phase to add
dimension and dynamics to his legendary
blazing solos and razor sharp leads.
Use the single Rate knob to adjust
the Speed of the warm analog phasing,
from a slow grind to a jack hammering
pulse; or use it as Zakk does, at
the 9 o'clock position for a slow
burning sweep. Best heard on songs
like "Overlord" and "Parade
of the Dead."
DIME
DISTORTION PEDAL
When
it comes to guitar, Dime doesn’t
need a ‘warm’ or ‘pretty’
sound. He can’t be bothered
with ‘vintage’ this or
‘boutique’ that. He wants
a heavy, aggressive, razor sharp tone
that can slice through a loud band
and a louder crowd. It’s a tone
that rages with distortion but remains
tight and focused enough to keep up
with lightning-fast rhythm lines and
face melting solos...
Well, here’s the pedal that
can deliver all that: the Dime®
Distortion from MXR!
With its 3-band EQ, proprietary Scoop
switch and ungodly output, this stomp
box from Hell has the guts and the
muscle to stand up to your heaviest
displays of power. Crank the gain,
boost the lows and highs and hit the
Scoop switch for a rhythm tone that
annihilates! Dial the mids back in
and mow down the competition with
a lead sound that can penetrate steel...
Not subtle, not pretty, but totally
effective. Be the master your distortion.
KERRY
KING 10 BAND EQ PEDAL
Well,
if MXR’s M-108 10-Band EQ wasn’t
heavy enough for you, here from MXR,
is its evil twin, the KFK1 Kerry King
10-Band! Designed in conjunction with
Kerry, legendary guitarist with the
band Slayer, this beastly, tattoo-covered
pedal sports the same great features
and hardcore construction as the MXR
M-108, but the King unit can punish
two amps at once thanks to dual outputs.
Use it as a boost for solos or to
create thrash-approved, scooped-mid
rhythm tones. Create raging sustain
and feedback while getting more thunderous
low-end out of your rig than you ever
thought possible...
Controls: A footswitch
toggles Effect on/hardwire bypass
and the illuminated sliders indicate
the unit is on. The ten sliders enable
boost or cut up to 12dB at 31.25Hz,
62.5Hz, 125Hz, 250Hz, 500Hz, 1kHz,
2kHz, 4kHz, 8kHz and 16kHz frequencies,
with separate Input Gain and Output
Level sliders @ +/- 12dB. Dual outputs
offer stereo application.
KFK1
MXR KERRY KING 10 BAND EQUALISER PEDAL
– £205.00
CARBON
COPY ANALOG DELAY PEDAL
The
MXR Carbon Copy Analog Delay features
a completely analog audio path for
the ultimate in rich, warm delay—made
possible only by old-school bucket
brigade technology. This design boasts
an amazing 600ms of delay time with
optional modulation via a top-mounted
switch and a simple, three-knob layout
that controls Delay time, Mix (dry/wet
blend), and Regen (delay repeats)—all
in a pedal no bigger than a Phase
90. In addition, two internal trim
pots offer user-adjustable width and
rate control of the modulation for
even more tonal options. The Carbon
Copy will take you from crisp “bathroom”
slap echoes to epic, Gilmour-esque
delays with a twist of a knob. True
hardwire bypass, single 9-volt operation,
and stage-ready blue LEDs round out
the package. Available only from Dunlop
Manufacturing, the world’s leader
in analog pedal technology.
STEREO
TREMOLO PEDAL
With
its warm analog circuitry and lush
tremolo sound, the Dunlop TS-1 set
the standard for tremolo pedals for
over a decade. The MXR M159 Tremolo
keeps all the effects and controls
of the original—but in a smaller,
pedalboard-friendly size. Its 18-volt
operation provides rich and vibrant
sound with low noise due to its high
headroom. With the versatile input/output
options the M-159 can produce hypnotic,
pulsing mono tremolo through a single
amp or ping-ponged from one amp to
another in stereo mode for a huge,
spacious tone.
CLASSIC
108 FUZZ PEDAL
Guitarists
of all styles, from Hendrix devotees
to garage rockers and stoner-metal
fanatics, will dig the familiar late-Sixties/early-Seventies
crunch delivered by the new MXR Classic
108 Fuzz. We've taken the guts of
our BC-108 loaded Fuzz Face, placed
them in a more pedal-board friendly
shape, and added the modern conveniences
of a battery door, optional AC operation,
and true bypass with LED. A selectable
buffer switch eliminates the audible
oscillation caused when some wah-wahs
are placed in front of a Fuzz Face.
The Classic 108 Fuzz, which comes
in a heavy duty, Phase 100-sized box
with a sweet, hammer-tone turquoise
finish and features the high-quality
jacks and switches that have made
MXR pedals the road-ready standard
on pedal-boards around the world for
over 30 years.
EL
GRANDE BASS FUZZ PEDAL
The
El Grande Bass Fuzz, the latest offering
from MXR Bass Innovations, is a versatile
and brutal fuzz designed just for
bass. We took a classic 70’s
fuzz circuit, re-tuned it for more
low end, and added a DEEP switch that
delivers up to +15dB of monstrous
bass that is internally adjustable
between 87Hz - 113Hz. And that’s
not all: Volume, Tone, and Fuzz controls
let you sculpt your tone with precision
to get everything you need—from
searing, sustained upper-register
chords to punchy, growling low B’s—without
sacrificing low end or clarity. The
El Grande comes in a lightweight but
durable aluminum casting with the
same high-quality jacks and switches
that have made MXR pedals the road-ready
standard on pedal-boards around the
world for over 30 years.
VINTAGE
1974 PHASE 90 PEDAL
Coveted
by both players and collectors,
the MXR Phase 90 set the benchmark
for phasers, with its thick and
rich tone. Our in-house workhorse,
purchased in 1974 by Dunlop Senior
Engineer Bob Cedro, was meticulously
spec’d and recreated as the
‘74 Vintage Phase 90. The
hand-wired board features select
resistors paired with hand-matched
FETs to achieve the same smooth
and warm modulation as the original.
The ‘74 Vintage Phase 90 comes
housed in the classic orange finished
box and is adorned with the unmistakable
Script logo. Available only from
the MXR Custom Shop.
CUSTOM
BADASS '78 DISTORTION PEDAL
The
MXR Custom Badass ’78 Distortion
roars with huge amp stack tones and
old school distortion. Dunlop took
a classic distortion circuit and hot-rodded
it to deliver over-the-top soaring
leads and rich, saturated rhythms.
With only three knobs, dialing in
a badass tone is a cinch. Engage the
CRUNCH button to boost the harmonic
content of the distortion. Under the
hood, this high performance machine
features top notch circuitry and hardware
meant for a lifetime of use.
DISTORTION
III PEDAL
The
new Distortion III joins the ranks
of MXR classics—such as the
Phase 90 and Dyna Comp—setting
a new benchmark in distortion tone
and quality. Developed from the ground
up using carefully selected components,
the D-III delivers everything from
sweet singing overdrive to massive
distortion crunch! It’s natural
and amp-like distortion is versatile
enough to appeal to any playing style
and transparent enough to let your
guitar’s personality shine through.
Like all MXR pedals, the Distortion
III features a heavy-duty casing,
switch and jacks for a lifetime of
use.
FULLBORE
METAL PEDAL
Ultimate
riff power is yours with the FullBore
Metal Distortion pedal from MXR.
This compact but powerful device
is all you need to unleash the most
devastating contemporary metal guitar
tones ever heard.The FullBore pedal
turbo-charges your guitar signal
with lethal amounts of ultra high
gain. This is combined with a built-in
Noise Gate to knock out the noise
associated with extreme gain levels
while also adding definition and
tightness to syncopated metal riffs.
Extensive
EQ controls, with Bass, Mid, sweepable
Mid-Freq and Treble knobs let you
sculpt your tone with fiendish precision.
The additional Scoop switch provides
an instant high and low freqency
boost that'll rumble the room while
also adding clarity.
This
device adds a preset amount of gain,
using a single control. With a guitar,
this lets you boost your signal
for lead work, adjust between two
different guitars with unmatched
output (i.e. humbucker to single
coils), or it can supply a permanent
boost in a long effects chain where
signal dropoff is a problem.
Controls:
Footswitch toggles effect On/Bypass
(red LED indicates on) • Gain
knob adjusts total output volume
when micro amp is engaged.
The
Dyna Comp is the compressor that
lets you set a maximum output level
and the sensitivity at which it
kicks in. This device can produce
that percussive, clicky sound on
a clean guitar that you've heard
on so many pop hits. It can also
even out the volume of sustained
tones for mellow lead work. If you
crave the sound of the original
MXR compressor, there's only one
way to get it ... right here!
Controls:
Footswitch toggles effect On/Bypass
(red LED indicates on) • Output
knob sets compressed (attenuated)
output level • Sensitivity
knob sets compression ratio (highest
sensitivity is maximum compression).
In
the middle ranges of the Output
and Distortion controls, you'll
find soft -clipped distortion
tones that sound truly retro-authentic,
especially when they're mixed
with a splash of reverb. Pushing
Distortion up higher produces
classic fuzz tones that are finding
their way on to an increasing
number of albums. This flavour
of distortion is a welcome, enjoyable
alternative to LA saturation and
British crunch.
Controls:
Footswitch toggles effect On/Bypass
(red LED indicates on) •
Output knob controls total output
gain • Distortion knob adjusts
ratio of clean signal with distortion.
PHASE
90 PEDAL This
device has found its way on to
many of Eddie Van Halen's recordings,
adding a shimmering velocity to
lead passages or a dramatic swoosh
to muted strumming. Not just for
guitars; it works well with bass,
keyboards and even vocals. Vary
the speed from a subtle, long
cycle to a fast, watery warble...
and myriad vintage vibrations
in between.
Controls:
Footswitch toggles effect On/Bypass
(red LED indicates on) •
Speed knob varies rate of phase
sweep.
ANALOG
CHORUS PEDAL This
all-analog pedal uses bucket-brigade
circuitry to create classically
lush, liquid textures that you
just can’t get with digital
circuitry. Rate, Level, and Depth
controls, as well as knobs for
cutting High and Low frequencies
allow ultimate tone control. Like
all MXR pedals, the M-234 comes
in a heavy-duty housing with durable
jacks and switches for a lifetime
on the road.
MICRO
CHORUS PEDAL With
its simple operation and stellar
analog tone—the MXR Micro
Chorus joins the ranks of MXR
Classics such as the Phase 90,
Dyna Comp and Micro Amp. This
80’s reissue delivers a
stunning range of rich chorus
textures, from sparkly watery
shimmers to intense rotating speaker
simulation with a twist of the
Rate control. The Micro Chorus
is designed with old-school bucket
brigade technology for warm analog
tone and features true bypass
for pure guitar tone when the
pedal is off. Its road-worthy
hardware and components are housed
in a space saving Phase 90 sized
box.
Controls:
Footswitch toggles effect On/Bypass
(red LED indicates on) •
Rate knob varies the speed of
the effect.
MICRO
FLANGER PEDAL Based
on the benchmark sounds of the
MXR M117 Flanger, the MXR Micro
Flanger classic features many
of the same flanging effects of
its big brother, but in a smaller
and more convenient size. Originally
released in the 80’s, this
faithful recreation features the
same two critical controls—a
Speed knob to control the rate
of cycling and a Regeneration
knob to manage the overall intensity—and
stays true to its 100% analog
bucket brigade technology for
the ultimate in warm and organic
tone. The Micro Flanger has been
updated with a true bypass switch
so you don’t lose any tone
during bypass. Go from jet plane
like sweeps to cool outer space
type effects with the MXR Micro
Flanger.
Controls:
Footswitch toggles effect On/Bypass
(red LED indicates on) •
Rate knob varies the speed of
cycling • Regeneration
knob varies the overall intensity
of the effect.
BLUE
BOX PEDAL This
unassuming little box shovels
out enough low frequencies to
scare a blue whale. It takes your
guitar signal, fuzzes it up, then
duplicates it two octaves down.
You control the output and the
mix between the dry signal and
the effect. Using it 100% wet
is quite an experience, but more
recognizable sounds appear as
you dial in more dry signal. The
Blue Box is known for having a
chaotic personality that can make
each session a totally unique
experience!
Controls:
Footswitch toggles effect On/Bypass
(red LED indicates on) •
Output knob controls total output
gain • Blend knob adjusts
ratio of dry (clean) with wet
(effects) signal.
STEREO
CHORUS PEDAL This
gorgeous sounding pedal will remind
you how cool chorus can be. Want
to add sparkle to clean-toned
arpeggios? Animate strummed passages?
Widen and fatten distorted power
chords? This box will do it all,
cleanly and quietly. Set the Rate
and Width controls to your liking
and then dial in as much effect
as you want with the Intensity
knob. Shape the tone even further
by EQ-ing the modulated frequencies
with the Bass and Treble controls.
Run in mono or use the stereo
outputs for a huge, vibrant sound.
If you’re looking to preserve
the low end of your guitar tone,
the MXR Stereo Chorus has got
you covered with its Bass Filter
button that applies the effect
to the high frequencies only.
A footswitch toggles Effect on/Hardwire
bypass (red LED indicates on);
Intensity control adjusts overall
effect level; Rate and Width knobs
tailor chorus tone, from subtle
and sparkly to lush and watery;
Bass and Treble knobs EQ the modulated
frequencies only; Stereo outputs
offer a huge tonal spread while
the Bass Filter button leaves
low end intact.
Chorus is one of the most difficult
effects to do justice to, and
this MXR unit takes it to a different
level, which has to be heard to
be appreciated. Being a full-on
pro spec unit, it’s an 18
volter and can only be powered
by the (supplied) Dunlop 18-volt
AC adapter.
FLANGER
PEDAL Another
great old favourite MXR pedal back
to reclaim its crown. You can often
see guitarists get all misty-eyed
as they recall the great tones they
got from their old MXR Flanger. Well,
dry your eyes, mate, because –
it’s back!
The MXR Flanger is the master of creating
wild sounds, from a dynamic ‘jet
plane passing by’ type of wheeeeoooooosh,
to cool space effects, to short delay,
chorus and vibrato.
Back off the Width control to zero
to disengage auto-sweep, then use
the manual rotary to physically place
the effect anywhere along the frequency
spectrum.
A legendary slice of musical history,
no question, and don’t forget
you can use this brilliant pedal with
guitar, bass, keyboards and vocals.
Let your imagination run riot!
10
BAND GRAPHIC EQ PEDAL It’s
been said that money is the great
equaliser. Not anymore. Meet the newest
member of the MXR family, the M-108
10-Band Graphic EQ. The M-108 gives
players huge amounts of tone shaping
and level control in a bulletproof
enclosure. With its hardwire bypass,
illuminated sliders, input and output
level controls, and carefully chosen
frequencies, the M-108 is unique in
the stompbox world.
Among other things, this great equaliser
will let you tune your rig to any
room in seconds, create an earthshaking
low end, restore punch, level and
treble response to a crowded pedal
board – and get more gain out
of your current setup than you ever
thought possible. And at £149
for this kind of versatility, that’s
just the beginning...
AUTO
EQ PEDAL If
you know how typical envelope filters
work... well, forget them, because
MXR didn’t copy them. Instead,
they’ve re-defined what an auto-wah
can do to funkify your sound.
The MXR Auto Q from Jim Dunlop triggers
at any playing level, not just on
your loudest notes. The Auto Q’s
effects are amplitude independent,
so you get exactly the same effects
at high volume or low. Come out front
with your solo then drop back for
a rhythm fill – your tone mods
stay constant throughout.
It’s all under your control too.
The RANGE knob selects how low the
automatic wah will reach. The Q control,
already famous on the Crybaby Wah
pedal series, controls the effect’s
intensity by providing a sharp frequency
peak or a broader, more subtle peak.
VOLUME goes to 11, natch, or anyplace
below. The BAND switch selects the
frequency ceiling where the effect
will dominate, LO, MID or HI.
MXR has also added a whole new flavour
to the Auto Q with the RATE control.
RATE dials in variable shimmer that
operates independently of the automatic
wah section. And the BLEND rotary
selects which effect has more prominence
– automatic wah (turn left) or
variable shimmer (turn right). Straight
up and you’ve got equal doses
of both!
Finally, there’s DECAY –
in automatic wah, it simply controls
effect dropoff. But when BLEND is
set for some shimmer, DECAY controls
the transition from one effect to
the other. Start your note with automatic
wah, and finish it off with a shimmering
flourish. You can’t get these
noises anywhere else!
6
BAND GRAPHIC EQ PEDAL The
six bands in this graphic equaliser
(100Hz to 3.2kHz) cover the frequencies
primarily inhibited by guitars and
basses. Each slider delivers a powerful
18dB of variable cut or boost. The
M109 is very quiet in operation, and
the positive feel of the sliders means
that your chosen frequency curve will
keep you in shape.
Controls:
Six paragraphic slider controls
enable boost or attenuation up to
plus or minus 18dB at frequency
centres 100Hz, 200Hz, 400Hz, 800Hz,
1.6kHz and 3.2kHz.
NOISE
CLAMP PEDAL Crank
your stomp pedals to the extremes
without the fear of any hiss or excess
noise with the MXR Noise Clamp. By
sensing your guitar's dry signal,
The Noise Clamp reduces the noise
level within the effect loop, coming
down hard on even the noisiest signals.
A single Trigger knob allows you to
set the volume threshold at which
the pedal is active, and a green LED
shows whether the gate is on/off.
This bad boy is capable of reducing
Noise up to 26dB, maintaining riff
definition at extreme gain levels.
SMART
GATE PEDAL Use
a high-gain amp and/or lots of stomp
boxes? Want to hear the notes but
not the noise? Then get yourself an
MXR SMART GATE. Equipped with three
selectable types of noise reduction
– Hiss, Mid and Full – the
MXR Smart Gate bites down on sizzle
and hum but lets the smallest detail
of your playing through. Originally
designed by the legendary Scholz Research
and Development concern, the Smart
Gate has been updated from a half
rack sized unit into a genius little
foot pedal. The price of silence?
Well, £155 for a quiet life
isn’t bad, is it...
SUPER
COMP PEDAL Ever
wonder how pro guitar players, from
pop to country, seem to get that special
sound when playing live? That elusive
something in their set-up that seems
to give their most intricate licks
a real boost, and lets their playing
get really ‘locked in’...
Well, chances are they’ve mastered
how to use compression. The new and
improved MXR SUPER COMP will give
your playing that very same lift,
thanks to being able tobalance out
attack level, attenuated outputand
compression sensitivity, at the touch
of a footswitch. Get with the pro
guitarists for just under a ton!
BASS
BLOW TORCH PEDAL Turn
up the heat with the Bass Blowtorch,
a revolutionary new concept in bass
overdrive from MXR Bass Innovations.
Fire it up for the hottest bass sounds
this side of Hades — anything
from the traditional tube-like growl
to scorching high gain distortion.
By focusing the overdrive in the midrange
frequencies, the Bass Blowtorch lets
you retain low end thunder and high-end
sizzle while distorted mids blaze
a path through even the densest mix.
An active 3-band EQ with 3-position
mid shift lets you zero in on an incendiary
tone, while the Blend knob lets you
balance your distortion with direct
signal to taste. And the Bass Blowtorch
burns as clean as it does hot, with
18-volt performance for increased
dynamic headroom, clarity and low
noise even at lethal volume. True
hardwire bypass circuitry means that
when you switch the distortion out,
it’s really gone. Housed in
indestructible die-cast metal, the
Bass Blowtorch has been stomped, mauled
and otherwise road-tested by world
class-touring bassists. So ignite
your tone with the Bass Blowtorch.
Guitarists will burn with envy.
• From traditional tube-like
growl to full blown high gain distortion
• 18-volt performance for increased
dynamic headroom and clarity
• Low noise performance at loud
volumes
• Active 3-band EQ with 3-position
mid shift for precise tone sculpting
• Distortion and direct signal
blending
• Real-world tested by world-class
touring bass players
• Indestructible die-cast housing
• True hardwire bypass
BASS
DI+ PEDAL Furious,
growling bass tone is here! You’ve
never seen a stomp box as useful –
or necessary – as the new MXR
Bass D.I.+! Here’s what it offers
– all in one box!
• A gritty, fully controllable
DISTORTION channel, to explode your
tone!
• A smart NOISE GATE with an
adjustable SmartGate™ sensitivity
trigger, to remove unwanted hiss and
hum, with no sacrifice of tone.
• A COLOUR switch for a quick
preset EQ contour that immediately
places your bass tone in the “sweet
spot” of the mix.
• A BALANCED D.I. for a solid
‘direct to PA’ or ‘direct
injection to the board’ signal
path!
What else? Switch the BASS D.I. off
and you get clean bypass, but the
unit’s own Clean channel features
the COLOUR switch for some extra
turbocharged tone – and with
separate onboard BASS, MID and TREBLE
controls for quick tweaks!
And with three power options available
– battery, AC power supply or
Phantom Power from your mixer, the
MXR BASS D.I.+ is certainly a bass
stomp box to be reckoned with.
BASS
OCTAVE DELUXE PEDAL MXR
M288 Bass Octave Deluxe The M288 Bass
Octave Deluxe is a dual-voice octave
pedal from MXR Bass Innovations that
offers organic analog tone, true bypass,
and a wide variety of tone-shaping
options. Powered by a single 9-volt
battery, MXR's 18-volt Constant Headroom
Technology™ (CHT) provides studio-performance
headroom and superior tracking. Use
the Dry knob to mix your direct bass
signal with the octave effect, or
hit the Mid+ switch to add up to +14dB
of internally adjustable low-mid punch
(400Hz) or midrange pop (850Hz). Bass
players will love the two separately
processed and individually voiced
octave controls-Growl (for throaty,
midrange octave-below tone) and Girth
(for deep and smooth octave below).
The Bass Octave Deluxe comes in a
durable, lightweight aluminum casting
and has the same high-quality jacks
and switches that have made MXR pedals
the road-ready standard on pedal-boards
around the world for over 30 years.
BASS
ENVELOPE FILTER PEDAL The
Bass Envelope Filter delivers classic,
analog, envelope filter sounds in
an easy-to-use and compact pedal designed
specifically for bass. Separate Dry
and Effect controls let you dial in
the perfect mix of effected and direct
signals, so you can bring the funk
without losing the low end. It’s
wide range of filter tones can be
shaped with the Decay and Q controls,
and a simple twist of the Sensitivity
knob can tailor the pedal for your
attack—as well as adjust for
passive or active basses. The Bass
Envelope Filter’s power supply
circuitry is designed to withstand
over-voltage or polarity mishaps,
and its true-bypass switching preserves
your tone in bypass mode. It’s
all packaged in a durable, lightweight,
Phase 90-size aluminum housing for
the ultimate in portability and pedalboard
space-saving dimensions.
BASS
COMPRESSOR PEDAL Take
your favorite studio compressor to
the stage with the MXR M87 Bass Compressor.
A complete array of controls—Attack,
Release, Ratio, Input, and Output
– makes it easy to fine-tune
your sound, from subtle peak limiting
to hard squashed compression effects.
Its CHT™ Constant Headroom Technology
gives you plenty of headroom and clear
performance. This totally transparent
compressor allows your full dynamic
range to shine through until your
signal reaches the compression threshold,
which is indicated by the ten, highly
visible gain-reduction status LEDs.
It’s all packed into a durable,
lightweight aluminum-housing pedal
that’s the size of a Phase 90.
CUSTOM
SHOP GT-OD OVERDRIVE PEDAL Built
from the ground up with the best available
components, the MXR Custom Shop GT-OD
Overdrive pedal creates smooth, warm,
and classic overdrive without excess
noise or tone coloring. The simple
controls make it easy to dial in a
great tone quickly—from crunchy
rhythm tone with chord clarity—to
sparkly and harmonic-rich lead tones
with tons of sustain. You won’t
find an overdrive that is more organic,
responsive or open sounding. Available
only from the MXR Custom Shop.
• A traditional overdrive that
provides powerful, cutting, transparent
overdrive tone with great definition
• Adds sustain and gain without
adding excess noise
• Place in front of an overdriven
amp for screaming lead tones
• Indestructible die-cast housing
CUSTOM
SHOP COMP PEDAL The
MXR Custom Comp is built from the
finest components available and designed
with a blend of modern and classic
compressor technology. At the heart
of the pedal resides the legendary
and rare CA3080 “metal can”
IC that delivers increased dynamic
range, greater transparency, and quieter
operation. In addition, the MXR Custom
Shop design team included RF suppression
components for interference-free operation,
and an internal Attack control that
allows fine tuning of the speed of
the note’s initial attack. Combined
with a TPDT (Triple Pole Double Throw)
switch for true bypass and heavy duty
pots, the MXR Custom Comp will provide
years of high performance live and
in the studio.
CUSTOM
SHOP '75 VINTAGE PHASE 45 PEDAL The
’75 Vintage Phase 45 reissue
from the MXR Custom Shop reproduces
the rare little brother of the Phase
90 to exacting specifications. With
two stages of phasing, the Phase 45
offers up it’s subtle and musical
voice via hand-matched FETs and hand-wired
circuit board. Authentic tried and
true components and hardware such
as a Carling switch, CTS pot and Switchcraft
jacks. Texture your tone without over
powering your sound with the limited-edition
‘75 Vintage Phase 45.
CUSTOM
SHOP '76 DYNA COMP VINTAGE PEDAL In
the quest for ultimate tone, a compressor
is an indispensable ally. And the
MXR Dyna Comp that was produced in
1976 has long been regarded as the
ultimate stomp box compressor. There’s
something inherently musical in the
way it “tightens up” a
guitar signal, raising the volume
of quiet notes and leveling off peaks
to create rich, full bodied sustain.
From country twangers to metal monsters,
guitarists have long relied on the
MXR Dyna Comp to make their riffs
stand tall in any live or studio mix.
Now the MXR Custom Shop brings back
that highly sought-after sound with
the ‘76 Vintage Dyna Comp. Meticulously
researched and superbly crafted, it
features the exact same circuitry
used in the original 1976 Dyna Comp,
identical in its component layout,
silkscreen and handmade wire harness.
The key component is the old school
CA3080 “metal can” integrated
circuit (IC), which yields quieter
operation, greater transparency and
increased dynamic range. These ICs
have been out of production since
the ‘80s, but MXR has tracked
down a stash of them—enough
to produce a limited run of these
little red boxes of compression bliss.
With supplies limited, the MXR ‘76
Vintage Dyna Comp is destined to quickly
become as ultra collectible as its
noble ancestor. So get yours now.
Available only from the MXR Custom
Shop.
CUSTOM
AUDIO ELECTRONICS PEDAL MXR
and Custom Audio Electronics founder
Bob Bradshaw—two names that
have shaped the tones of the world’s
greatest guitarists—join forces
to bring you a dynamic new line of
pedals. The Boost/Overdrive and Boost
pedals are the first offerings in
the series produced by MXR, featuring
the unique sonic stamp of legendary
designer Bob Bradshaw. Since 1980,
CAE’s innovative pedal designs
were made in limited quantities only
for his select clientele. When it
was time to bring these pedals to
the masses, there was only one name
he could trust to deliver the same
quality and standards that his customers
demand—MXR. Available only from
Dunlop Manufacturing, Inc., the world’s
leader in analog pedal technology.
• A versatile pedal offering
the combination of a simple dynamic
overdrive and an independent clean
boost circuit—all in one compact
pedal
• High quality components provide
quiet operation and trouble-free interaction
with other pedals on your board
• Cleans up nicely when you
roll back your guitar volume, making
it extremely responsive to picking
dynamics—without thinning out
your tone
• A warm sounding classic overdrive
that adds sustain and punch
• Boost function with adjustment
from 0+20dB of clean uncolored boost
The
MC-403 Power System—the latest collaboration
between Bob Bradshaw and the MXR design team—is
truly the ultimate power supply. The MC-403
powers more types of pedals and electronics
at one time than any previous power supply unit
available. High quality, high performance toroidal
transformers insure quiet operation with superior
performance capabilities. Designed for maximum
flexibility, the MC-403 can be used on pedal
boards or rack mounted in a single rack space
with the front mount bracket (included). All
multi-tap outputs are completely isolated, linear
regulated, and short-circuit protected to insure
reliable operation. Enclosed in a heavy-duty
housing, the MC-403 is designed for years of
rugged road or studio use.
MC403
MXR CUSTOM AUDIO ELECTRONICS – POWER SYSTEM
– £329.00
All
products contained within the JHS website are available
throughout the United Kingdom and Eire from all good
music stores.
Please
note, as trade only distributors we do not sell direct
to the general public.
Specifications,
colours and pricing are subject to change without prior
notice.
Please
contact your local music store. If
you experience any difficulty in obtaining the products
you require please contact us at webinfo@jhs.co.uk
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